Christmas 2010

This has been the best Christmas ever. My beautiful baby girl, Chloe Eliah Fletcher, was born on December 17th. We got to celebrate her first Christmas together. A lot of people say God is good. I believe that God is so far beyond "good" that it's almost an insult to say He is good. God is amazing. I can't even believe how far my life has come in the last couple years. I'm a father now and engaged to the most wonderful woman I've ever met. My fiance's daughter, Tabby, is an intelligent, talented, gorgeous, and sweet girl. She's fun to hang out with. Her sense of humor is great and she makes me laugh all the time. For years every night before I went to bed I would pray to God that He would someday bestow upon me the blessings of having a family. For a while there I lost my faith in those prayers. I listened to people who wanted to drag me down and started to think that I wasn't good enough to have a family. I can't nail down an exact moment where I started to believe that God would honor my prayers to have a family, but I can tell you it all started when I made changes in my life. These were changes that had to be made in order for me to be the kind of husband and father that God has called all of us men to be. I'm proud of these changes but I also realize that without the strength that comes from the Lord that I wouldn't have been able to do it in the first place. I don't feel that going into detail on this particular subject would be in my best interests or the best interests of my family. I have learned over the years that there are many people in the church that love to gossip and start rumors. Some pastors can't even be trusted with information that was discussed in private counseling sessions. For that reason I won't go into into any further detail. Just know that Fletch is focused on being the best Christian he can be, which in turn will make him the best husband and father he can be.

I'm also excited about my music again. I released 3 projects in 2010. My goal is to release 2 in 2011. The Mergence album with Jay Money of Posafe Beats and Roach is almost finished. The long delayed Rhyme Commission (also with Jay Money) album Poetry in Motion only needs a few more songs. So when I time find between work and taking care of my daughter I'll try and wrap these up. That doesn't give me a whole lot of time though.......does it? Merry Christmas ya'll

Conversations

Conversations is finally done. I can't tell everyone how great it feels to have this album finished and out for people to listen to. I recorded the tracks for Conversations more than 5 years ago. This project was very precious to me for a number of reasons. For one it was very personal. On this record I told real stories of things that I had gone through over about a 2-year period. This CD was also a concept album. I have long been a fan of concept albums. The rap concept albums that made me really want to write one of my own were Masta Ace's Disposable Arts, Prince Paul's A Prince Among Thieves, and Jonathan Toth from Hoth's Brainwashing. These records all achieved what they set out to accomplish. They told a story through music in a way that was entertaining enough to make you listen to the whole album. The only way to truly listen to a concept album is by listening to it all the way through, or "front to back". I can't count the amount of CD's I've listened to in the last several years that have what I call "filler" material on them. These are songs that are complete crap that artists throw on their album just to take up space and up that total track listing. I'm not sure who it was in rap that started the whole 20 plus track album but it seems to be the norm now. I'm just as guilty as anyone. The Rhyme Commission Cerebral Poetry record has 17 tracks, Beats 2 The Rhymes has 20, and Conversations has 19. My belief is that all of my projects have a flow to them that make them not feel like "long" albums. I hope and pray to God that no one listens to them and finds any "filler" tracks. Conversations has a definite flow to it. Achieving that flow was part of the reason why it took so long to finish. There are songs and skits that didn't make the cut. Getting the mix the way I heard it in my head took time. But let me give you the main reasons why this record was delayed for 5 years.

For those who don't know, Conversations was in essence the 2nd Rhyme Commission record with Jay Money of Posafe Beats. We started working on it pretty much right after we released Cerebral Poetry. It became clear to both of us that the material was going to be so deeply personal that it would make more sense for it to be a Fletch solo project. Jay Money has always been more concerned about the artistic side of the business so he had no problem with the Fletch name being front and center. When the recording sessions and editing began to wrap up I started to realize something. At this point Jay Money and I were doing a fair amount of shows. I was making more connections in the scene and felt like we were pretty well established in St. Louis. For whatever reason, the people in St. Louis don't support the local music scene much. I have heard that rock bands get more support than the rappers but even they struggle to sell CD's. Conversations was by no means a "commercial" sounding product. There was little to no way to translate just a few of the songs from this "epic tale" to a live performance. Neither Jay Money or I had the money to throw into a project that wouldn't break even. Yes, Boondock Records is just us people! For all these reasons I decided to do another album to basically fund Conversations. My goal was to make a record that was catchy enough to get people to buy it, but rugged enough to still be a Fletch album. That's how Beats 2 The Rhymes came about. That be another flog all in itself.

I recorded Beats 2 The Rhymes in 2006. That's when the next delay kicked in. This is when I met my now ex-wife. I have no desire to go into details here. Let's just say I lost a few years of my life that I can never get back. I had to give up doing music during this time because she hated it so much. I wanted to make my marriage work but sometimes things just can't work. Especially if one person wants the other to give up everything they love and become someone else. Once that dreadful time of my life was over I was able to finish Beats 2 The Rhymes. I had the CD release party at Blueberry Hill and it was wonderful. I remember telling my fiance Gail......if that was the last things I ever do in music, I was good. That's how great it was to me.

It was also time for me to step back from music again. I needed to focus on work and my soon to be family. Gail is about to have our daughter. We are getting married next year. And I also have a new job that actually takes a lot of concentration and effort on my part! Drawing counter tops in the CAD department at Stonetrends keeps my mind busy. My daughter Chloe is only a few days or weeks from being born. That's why I'm on this kind of mad rush to put out some projects that have been sitting around collecting dust. I'm not going to have time to do music once she's here. I don't think I'm much going to want to either. I've been waiting my whole life to have children. Just the next chapter in life of Fletch.........

The fine line between holy and devilish rhymes pt. III

At this point, I'm living in St. Louis and trying to establish myself in the local rap scene. I'm doing open mics, battles, going to shows, etc. I was writing songs for what was going to be my next album. This was when I started to believe that I had a mission in music that would separate and alienate me from most people who go to church on a regular basis. I was going to talk about my faith, my life, my experiences and use the language that I use in my everyday speech. I would cuss. I would talk about whatever I wanted to. I wouldn't censor myself to fit into a "CCM" (Contemporary Christian Music) style. I would open up people's minds and hearts. At the same time I wanted to do something different with my flow. I wanted to write rhymes that didn't fit into a classic A-B rhyme pattern. I would do odd numbered rhyme schemes. Some would be 3-line rhymes. Others would be 5-line schemes. Some would even be even line schemes. Then I would practice the songs until I could make them fit into some kind of crazy flow. It wasn't easy. I just listened to the album a couple days ago. I'm still proud of how it sounds.

Jay Money and I were both having a hard time thinking of a name for our new rap duo. I'll never forget how we came up with it. I had written a song called Stop, Look, and Listen. One of the lines was "Fletch and Jay Money, the Rhyme Commission". Money and I were hanging out down in the Duck Room at Blueberry Hill waiting for the Science Hip-Hop spin to start. I was spitting some of the rhymes for stop, look, and listen for him. When I got to that line Jay Money said "That's it." "What's it?" I asked. "That's the name of our group. The Rhyme Commission" It was just a line in a song. Proof positive that my words come from God. I never thought when I wrote that line that this is the name that Jay Money and I will use for this group. It just came out of me.

Jay Money and I recorded songs for Cerebral Poetry in December of 2002. It took almost three years for us to put the album out. Little did I know that would be about the same amount of time it would take to release my next project Beats to the Rhymes. As is life.....

Cerebral Poetry and a little EP I did called Broken really put Fletch (and Jay Money!) on the map in St. Louis. We started doing shows at places like the Hi-Pointe (R.I.P.), Lemmon's, The Red Sea, and eventually Blueberry Hill and The Pageant. This was about the time I met Urban-One and Ser Lesson of Forty Til Five. At this time, I was working on one of my favorite projects, Conversations. Conversations is a concept album that many of those close to me have heard and love. It is very near and dear to my heart. When I was close to finishing the album I realized something. Most people that go to shows in St. Louis would not "get" this album. It's too deep. If I had the money to just throw away on a project it would be no problem. What I needed to do was put out a project that would sell so I could fund Conversations. Enter Beats 2 The Rhymes.

Beats 2 The Rhymes is the project I just recently released on Forty Til Five records. Unlike previous albums, one of the main goals was to make money. This is where I started to blur that line between holy and devilish rhymes even further. I wrote songs that I thought would appeal to the average music loving crowd. I wrote songs about being a ladies man, like Pump, Shake and Nikki Lee. The songs were really a joke to me. I didn't take them seriously. What I didn't think about was how they would come accross to people. I was portraying something that I'm not. I also was not being a good example of a Christian. Make no mistake, I am very proud of all of the music I've made. I've put in a lot of work to make these albums sound good. I've busted my tail trying to become "good" at what I do musically. What I'm not proud of is the content.

I wrote in my last blog that I've never read a list of words that cannot be spoken in the bible. And while I have a different view on this topic than "the church" I still want to respect the church's stance. I don't want to be a poor example for my nephews, nieces, and other kids. Please understand that I want to represent Christ first and foremost in everything I do. It is my heartfelt belief that the devil was deceiving me into believing that certain things were okay for me to say and talk about in my music.

I first had the major debate about weather or not to put this record out about three years ago. That's when I first recorded and mixed the songs. The major reason why I ultimately decided to finish the project was the people who helped make it. I had so many wonderful and talented people who contributed to this album. I told them I would put it out. I have always tried my hardest to be a man of my word. So I finished it. A couple months ago I had the CD release at Blueberry Hill. A couple weeks later I did another show at Blueberry Hill. After that show was when I started to feel it was time for me to shut up and listen to what God had to say about my music.

The fine line between holy and devilish rhymes pt. II

Here I am at college. Not making friends like I thought I would, my music not being embraced like I thought it would, and feeling pretty much lost as a result. About this time is when I met Jay Money. Money was an interesting cat. He had (and still does) a wide-range of musical tastes. What intrigued me was his love of Christian Rap. After talking to him a few times we came to realize that between the two of us we had just about every significant Christian rap CD that had been released up to that point. Our favorites were pretty much all the same. Gospel Gangstas, SFC and Super C aka Soup The Chemist, T-Bone, etc. I was deathly afraid of making my own beats. I just didn't think I could do it. Not to mention the fact that my passion was rapping. That's pretty much all I wanted to do. Jay Money was making beats. Some of his beats were rap and some were some techno style shits that I didn't really get. I started bugging him to make more beats so we could make some Christian Rap songs. This is the early stages or almost the birth of Mergence.

Jay Money had some beats ready and I was definitely ready to record some of my raps. This was around the time I met J. Roach. Roach and I had a music business class together. I had seen Roach in the studios the year before but had never really met him. We started talking and goofing around in class and found out we had a lot in common. Not only did Roach love rap. He also loved wrestling. We became friends pretty quickly. One night Money and I had some studio time booked and I asked Roach to come up to record a verse or two. Roach dropped this crazy style that had both Money and I buggin' out. We had never heard anything like it. He used two vocal tracks in almost a question/answer style type of rap. It was dope! He never wound up using that style on anything but that's how it started! After a few takes he came out of the booth and mentioned this friend of his named Damien. "He's probably at the Union." Roach said. "Let's go get him and see if he wants to spit!" I said. It was on. Mergence was born. Mergence included J-Dot, Dalexand, Jay Money, and KEC-Dogg aka The King's EmCee. Yeah I used that name for a quite a little while. We recorded an album that was definitely in the vein of Christian rap. The album was called amalgamation and in my opinion it still sounds good today. The group was short lived though. Dalexand transferred to a college in Canada to play basketball.

After Damien split, Roach and Jay Money started working with a singer who went by the name Howie T. They were also working with some rappers that Roach new from St. Louis, his hometown. We were all starting to drift from "Christian" rap. We were all still Christians but we wanted to express ourselves. That is my biggest problem with "Christian" music. As an artist or poet you are forced to limit yourself to certain guidelines based on the church's doctrine. Please do take note of exactly what I said. I did not say guidelines given to us by God or found in the Bible. I said the CHURCH'S doctrine. That's a whole other blog waiting to be written. But I digress.......

Money had been on me for a while to start making my own beats. He and Roach were so busy working with other people that I kind of got left behind a little. I know it wasn't intentional now, but at the time I didn't know what to think. I felt like they were ditching me at the time. They were just doing there thing and trying to work with different people. They did put me on a couple things here and there. Roach and Howie T won the battle of the bands that Greenville College held each year to determine who would do some early morning/afternoon sets at the Agape Christian music festival. If you aren't familiar with Agape think "Christian Woodstock" on a much smaller scale. Roach and Howie T did have me do a song with them during their set. To this day Agape is the largest crowd I've ever played in front of. I'm not sure how many people exactly but I'm pretty sure it was in the thousands.

During this time was in I truly started to find myself in music. The key word in that sentence is started. I wouldn't arrive for a few years yet but the foundation was being set. I started making some beats and started recording myself in studio sessions. This was actually very exciting for me. Once I got in the lab I was like a kid in a candy shop. I never got great grades in Warren Pettit's studio classes. I wasn't so much concerned with every aspect of what he was teaching. I just wanted to be in the studio. I put in just enough effort to get by. I can't tell you how many times I've thought to myself "Should have studied more in Pettit's classes". Pettit loaded the studios with some great gear. A vintage Mini-Moog, a Roland Juno, an Alesis HR-16, and of course Digi Design Pro Tools. I still think back to those studios and how much I learned. This was around the time Jay Money and I did the first Big Fletch album Erase the Hate. This was my last "Christian" rap album. If you listen to it you can hear where I'm starting to make the shift. I did the song Undercover, one of my favorites from that album, in chapel at Greenville. I had a line that said "expose those who pose as pimps and hoes". Jay Money thought it was hilarious I did that one in chapel because of that line.

After college I moved back home to Mason City, IL for my summer internship as a youth pastor at the church I grew up in. I started working at Bonanza again and got hooked up with a job as an Adult Resident Assistant at Lincoln College. For me, it was perfect at that time. I didn't want to live at my Mom and Dad's. Not that I had anything against my Mom and Dad. I just wanted to be on my own so bad. I had already been away at college for four years. The job at the college gave me room to stay in for free and paid a little. Not enough to live on mind you, but I could still work at Bonanza too. I had my computer and Pro Tools Free. I couldn't record vocals on this free version of Pro Tools but I could make beats. Money was still making beats too. I wanted Money and I to be a rap duo sort of like Gangstarr. Money would handle most of the beats and I would do all the raps. I started to drift away from church at this time. I didn't feel like I fit in at all. For starters, I didn't (and still don't) believe there's anything wrong with cussing or the use of cuss words. Who decided which words are the bad words? Isn't that a completely subjective concept? What offends you might not offend me and so on. I've never read a list of words that are never to be spoken in any translation of the Bible. At any rate, that was just one of my issues with "The Church". One of my closest friends, Chris Fink, had just graduated from college and moved to St. Louis. I had the itch to move either to Chicago or St. Louis so I could get involved in the local rap scene. Fink offered to let me stay with him and sleep on his couch until I got on my feet. The Rhyme Commission was just around the corner.

.......to be continued............

The fine line between holy and devilish rhymes pt. I

My first love of hip-hop was born out of the Christian rap songs of the deceased Danny "D-Boy" Rodriguez. (Check out his first album at http://posafebeats.blogspot.com/search/label/Sunday%20Supper)
It was actually his second album that I heard first. The title alone was enough to grab my attention. The Lyrical Strength of One Street Poet. D-Boy was the first rapper that I had heard who was talking about God. His message was so positive and powerful. I was blown away. It didn't take long before his music inspired me to start rapping.

So I started doing my thing with my best friend at the time, Patrick Clough. Pat's parents, Greg and Patty Deaner, were musicians. They had this nice little home studio in their upstairs bedroom and would let Pat and I go in there and make music. For me, it was amazing. Pat already knew how to work Cakewalk on the computer and also knew how to use the Alesis HR-16 drum machine. We started writing Christian rap songs. We played a few shows in Pat's church, my church, (Once at my church. Then I was told I could never rap there again.) and several other churches. We did a town fair, pep ralley at school, etc. The Christian music industry was putting out some DOPE Christian rap. If you want a sample just to go my homie Jay Money's blog for the Sunday Supper. Each Sunday Money posts a different Christian rap album for people to listen to. So check that out at the link I listed above for D-Boy. Anyway, I was listening to all this Christian rap and I was writing and performing Christian rap. That was what I felt my "calling" in life was. Then came Greenville College.

Pat and I both wound up going to Greenville College. Greenville is a Christian liberal arts college. Christian and liberal are kinda oppisite in a lot of ways, don't ya think? In high school I was pretty much an outcast. I didn't drink or party and I was trying to live my life the way I thought a "Christian" was supposed to live. I didn't curse, have sex, tried to be positive and respectful, etc. Well, that life philosophy combined with the rap thing didn't go over too well in Mason City, IL. When I signed up to go to Greenville I thought it was the answer to all my prayers. Don't get me wrong. It was in a lot of ways. It just wasn't what I expected. I really truely thought that things were going to be so much easier. I though I'd be able to make lots of friends. I thought people would accept me for who I was. No more judging or persecution because I was going to be around other Christians. Looking back, I was so young and naive. It's like I was expecting a Utopia or some shit.

I found out very quickly that people are people. And people fear what they don't understand. I remember one of my first days at Greenville I was wearing a Gospel Gangstas t-shirt, a bandana, and some jeans that probably didn't fit very snug. I remember people looking at me with wide eyes for a moment and then turning away. I was feeling it already. Rejection. I didn't take it too well. It hurt me pretty deeply to think I was in yet another place where I wouldn't "fit in". That same year Pat started drifting off into his own world. He pretty much stopped doing rap with me. I made things worse by having a little bit of a mental or nervous breakdown during a choir tour. Pat and I were roommates that year as well. After I was acting all crazy during that choir tour he pretty much distanced himself from me. In case anyone is reading this that knows Pat please understand this is not intended to shame him or speak of ill of him in any way whatsoever. We were 19-year old kids at the time. The way I was acting was pretty out there and I can understand if it freaked him or anyone else out. The problem for me at the time was I didn't understand any of it. I didn't really remember a lot of what I was saying, doing or how I was acting.

Now I had really alienated myself from a lot of people who knew me. I'm sure that people who were on that choir tour with me spread the news about my behavior around the entire college student body. I felt it. I was still steadfast in my stance on Christian rap though. I just knew it was what God had "called" me to do. Without Pat in the studio though, I was kind of lost. I had always focused on the song writing aspect of what we were doing in music. I never really tried to learn much of the actual studio recording process. I had no idea how to make a beat! I mean, I played drums....but I didn't know how to make a rap beat on a computer, MPC, or whatever. I had to learn fast if I wanted to make a demo for these Christian labels.

Part II coming soon........


Fletch

Times done changed

What's crackin' everybody? I've got a little something on my mind. I have a blogsite now.....so what the hell?

I've been doing rap since I was 12 years old. Growing up in a small farm town in Illinois was a great experience in many ways. You get to learn a lot about people who you barely know because well, it's a small town. You run into people you barely know or talk to on a semi-frequent basis. This is a story of one of those people in my life.

Now I don't want to name name's here because I have not wish to embarrass or shame this girl. Let's just call her Blondie. So I grew up with Blondie. She was in my class since preschool or kindergarten. I don't remember for sure. By the time we hit high school she was pretty much not liked by too many people....except for a few guys I guess. Use your imagination. Me personally, I had heard through a very close friend that she told him I did some things to an ex-girlfriend that were not so nice. Again, use your imagination. My friend laughed at her and said no way. Good man. He knows me better. I believe that was like our freshman or sophomore year. By the time our senior year was in swing I had really gotten over it. I mean, I didn't like the girl but I didn't have any problems with her. She tried to spread some lies about me but I mean she never did anything directly to me. This next incident with her was during my last year in Mason City.

I had been doing rap for a while. It was pretty well known. I had performed a song for a high school pep rally once. Rapped at the town fair. Stuff like that. So Blondie knows that I rap. One day I was putting gas in my truck. I was facing the street. All of the sudden Blondie drives by. She rolls down her window and yells "WIGGER!" I was actually pretty taken aback by this. For one, anyone who knows me knows I'm not a "wigger". For those of you who don't know the meaning of this semi- racial slur it means a white person who is trying to act like an African-American. For two, I really didn't think this chick had a problem with me. Outside of the nasty lies she tried to spread I'd never had any problems with her.

Oh the story is not over. The funniest part is yet to come. My wonderful girlfriend Gail convinced me to get a facebook page. I reconnected with a bunch of people from high school. I had no intention of talking to this girl. I still haven't. To my great surprise though, Blondie posted a note on one of my pics. She said "wat it do big pimpin? haven't seen you in 4-eva! drop me a line!"
I think I laughed out loud. I'm like "Is this the same girl who called me a wigger when I was in high school? Sayin' shit like "wat it do big pimpin'? 4-eva?" Priceless.

You see, people don't give a damn about you when you're nobody. And people sure will give you a hard time and make fun of you when you're different from everyone else. But as soon as they see that you're doing something with you life that is now considered "cool"......their tune sure changes in a hurry doesn't it?

Aww.....hope you're doing well Bandwagon Blondie! Just please don't ever come to St. Louis to see one of my shows. Cuz I'm afraid I couldn't resist calling you out and telling this story to the crowd.

God Bless Ya Life,

Big Fletch

Thank You StoneTrends LLC. and everyone else for showing your love!

What's up my peoples? Last night your boy rocked Blueberry Hill's the Duck Room. I had soooooooo much fun partying with everyone there and performing. I have to throw a HUGE shout out and thank you for all my people who came out. All my friends from work, StoneTrends, represented for me to the fullest! Thank you so much! And of course my church friends, BK, Dave, my girlfriend Gail and her sister Kristen, my fellow Rhyme Commissioner Jay Money and his wife Jen, and everyone else. Did everyone have a good time? I know I sure did! I'll have lots of photos and I beleive Money got some videos as well! Next show is at Blueberry Hill on March 13th. I'll be performing with Dug Holes. Holla at ya boy!

God Bless,

Big Fletch

Thank you my friends

So tomorrow night is the big night. Fletch at Blueberry Hill. Where it all began. I'm super excited about performing on the same stage as legends like Chuck Berry. I am also excited about the people who will be performing with me. Great MC's like Jia Davis, Nato Caliph, and the newest member of the "New" Rhyme Commission Dug Holes. When Jay Money and I started The Rhyme Commission some 8 years ago we had a vision. The vision was for the Commission to be almost a "revolving-door" concept, meaning that Jay Money and I would be the core of the group but all the people who work with us in music would also beome members. So, Dug Holes and I have decided to be each other's hype man at our respective shows. I respect Dug and his skills as a rapper. I've always been a big fan. We've also been friends for a number of years. I believe the friendship and respect that we share with each other will make for some great shows for both of us.

Other new Rhyme Commission members will be announced in the months to come! Hope to see you all there at Blueberry Hill, 2/27 at 10PM in the Duck Room!

God Bless,

Big Fletch

Hip-Hop at Blueberry Hill

What up ya'll? So coming up in a week I've got this show at Blueberry Hill. For those of you who don't know about the rich history of rap or the hip-hop culture at Blueberry Hill I will break it down. When I was in college, around 1999-2001, Jay Money introduced me to a hip-hop night at Blueberry Hill in the Duck Room. This weekly event was called the Science hip-hop spin and was every Friday night from like 9pm-1am. The Science was like a dream come true to me. Growing up in little Mason City, IL prevented me from really experiencing the hip-hop culture. Even the bigger cities like Springfield or Peoria didn't have real hip-hop events going on. If they did I certainly didn't know about it! The Science had several DJ's in regular rotation.......and they were dope! DJ Crucial, DJ Grocery, DJ Radic (aka: DJ Chily C), DJ Agile One, and DJ Nappy Needles. These guys and gals would beat blend, scratch, do tricks, everything. DJ Crucial would also play his own wax! Croosh was on a local rap label called F5 Records and would get songs that he produced pressed on vinyl. And his beats were awesome. There were also break dancers. There were cats doing live artwork on the cardboard that the breakers would dance on. At the end of the night there was an open mic freestyle session where TONS of cats would get up on stage and get in line for their turn to spit. When I first moved out here I didn't know anyone. No one knew if I could rap worth a shit or not, so no one would ever pass me the mic. And I didn't want to just push and shove people to grab the mic. I wanted someone to pass it to me. I wanted to earn my chance. It took about a year and a half of going to the Science every Friday night before I got my chance. It was worth the wait. After I kicked my freestyle that night people let me in. It was a great feeling. I started making connections. Then came Fletch: Broken, The Rhyme Commission: Cerebral Poetry, and The Frank Castle mixtape. My roots are in the Duck Room at Blueberry Hill. It is truly an honor and privilege to play there. Check out the links below for more info on The Science and the show coming up at Blueberry Hill.

http://www.myspace.com/thescienceblueberryhill

http://www.blueberryhill.com/events

Big Fletch and friends live at the Halo Bar 2/12/10

The new Flog

What's up ya'll? Yer boy Big Fletch is starting a new blog site. Thanks Jay Money! I stole this idea from you homie! Stay tuned for some cool shit. Yeah yeah.